Featured
Paloma McGregor
Paloma McGregor is a Caribbean-born, New York-based choreographer and arts leader. As co-founder and Artistic Director of Angela’s Pulse, McGregor has spent more than a decade centering Black voices through collaborative, “community-specific” performance projects. A former newspaper editor, McGregor brings a choreographer’s craft, a journalist’s urgency, and a community organizer’s framework in the service of big visions. The daughter of a fisherman and public school art teacher, McGregor amplifies and remixes the quotidian choreographies of Black folks, reactivating them in often-embattled public spaces. McGregor’s work situates performers and witnesses at the embodied intersection of the ancestral past and an envisioned future; for her, tradition transcends time.
Nancy Nowacek
Nancy Nowacek is an artist and designer. Her work focuses on the habits and practices of daily life as they relate to the natural and built environment, and the systems that produce and are produced in them. Her practice encompasses a wide spectrum of research: climate change, land use, the labor and leisure, and feminism and aging. She has shown work in the United States, Canada, China, the Netherlands, and Venezuela. She is co-founder of artist collective Works on Water and teaches at the Stevens Institute of Technology. She is currently Education Artist-in-Residence at the Walker Art Center, Minneapolis.
Mary Mattingly
Mary Mattingly is a visual artist. She founded Swale, an edible landscape on a barge in New York City. Docked at public piers but following waterways common laws, Swale circumnavigates New York's public land laws, allowing anyone to pick free fresh food. Swale instigated and co-created the "foodway" in Concrete Plant Park, the Bronx in 2017. The "foodway" is the first time New York City Parks is allowing people to publicly forage in over 100 years. It's currently considered a pilot project.
Mary Mattingly’s work has also been exhibited at Storm King, the International Center of Photography, the Seoul Art Center, the Brooklyn Museum, the New York Public Library, deCordova Museum and Sculpture Park, and the Palais de Tokyo. With the U.S. Department of State and Bronx Museum of the Arts she participated in the smARTpower project, traveling to Manila. Mattingly has been awarded grants and fellowships from the James L. Knight Foundation, Eyebeam Center for Art and Technology, Yale University School of Art, the Harpo Foundation, NYFA, the Jerome Foundation, and the Art Matters Foundation. Her work has been featured in Aperture Magazine, Art in America, Artforum, Art News, Sculpture Magazine, The New York Times, New York Magazine, Financial Times, Le Monde Magazine, Metropolis Magazine, New Yorker, The Wall Street Journal, the Brooklyn Rail, and on BBC News, MSNBC, NPR, WNBC, and on Art21. Her work has been included in books such as the Whitechapel/MIT Press Documents of Contemporary Art series titled “Nature” and edited by Jeffrey Kastner, Triple Canopy’s Speculations, the Future Is... published by Artbook, and Henry Sayre’s A World of Art, 8th edition, published by Pearson Education Inc.
Marie Lorenz
Mare Liberum
Mare Liberum is a freeform publishing, boatbuilding and waterfront art collective based in the Gowanus area of Brooklyn, New York. Finding its roots in centuries-old stories of urban water squatters and haphazard water craft builders, Mare Liberum is a collaborative exploration of what it takes to make viable aquatic craft as an alternative to life on land — and as a way to make visible the overlooked and the neglected, in particular the often toxic waterways of our cities. The collective draws from sources as diverse as ocean-crossing raft assemblages, improvised refugee boats built in Senegal and Cuba, and modern stitch-and-ply construction methods which make complex, classic boat designs approachable by novice builders. Mare Liberum’s boats, broadsheets and workshops have been exhibited by MASS MoCA, The Neuberger Museum, Maker Faire, Psy-Geo-Conflux Festival, Parsons/The New School, Boston Center for the Arts, the Boston Children’s Museum, EFA Project Space, Alexandraplatz, the Antique Boat Museum, and have been written about in Hyperallergic, The Brooklyn Rail, Bad at Sports, The Village Voice, and Vice Magazine, among others.
Floating Studio for Dark Ecologies
Eve Mosher
Eve Mosher is a cultural change entrepreneur working at the frontline of climate change and the urban environment. She creates space for possible futures. Her work explores individual agency in transforming the systems that have led to this moment. She is uplifting what is possible through creative engagement, multi-sensory collaboration and radical imagination. She has been creatively working on the climate crisis since 2007, but none of her previous experience, accolades, press or degrees have adequately prepared her for the moment we are in.
Carolyn Hall
Carolyn Hall is a Brooklyn, NY based Bessie award winning freelance dancer/performer, historical marine ecologist, and science communication instructor. As a freelance ecologist her research focuses on the past and present impacts humans have on shoreline ecosystems and the creatures within them. She is increasingly invested in combining her artist and scientist halves in public processes to make data-rich science more understandable, embodied, and memorable for the general public.
For her WoW residency, she will be asking questions about New York City’s long history and current relationship to fish and fisheries through an installation and embodiment of timelines. Timelines that span from "prehistory" to today. Timelines that explore connections stemming from documentations of fish species in NYC waters to our past and current questions about residence, im/migration, fluid boundaries, consumption, the value of an object vs. a living contributor to an ecosystem, and economy.
photo credit: Tara Duffy
Sarah Cameron Sunde
Sarah Cameron Sunde is an interdisciplinary artist and director working at the intersection of performance, video, and public art, investigating scale and duration in relationship to the human body, the environment, and deep time. She was recently awarded a Guggenheim Fellowship to complete her ongoing series, 36.5 / A Durational Performance with the Sea (2013 - present). Other honors include two MAP Fund Grants, NYSCA, Watermill Center Residency, Baryshnikov Residency, Princess Grace Award, and ongoing support from Invoking the Pause. Solo exhibitions include The Georgia Museum of Art, Athens, GA; NYU Gallatin Galleries, New York, NY; Oude Kerk, Amsterdam; and Te Uru Waitākere Contemporary Gallery, Tamaki Makaurau-Auckland. She holds a B.A. in Theater from UCLA and an M.F.A. in Digital and Interdisciplinary Art Practice from The City College of New York, CUNY
Clarinda Mac Low
Clarinda Mac Low began in dance and molecular biology and now creates participatory events investigating social constructs and corporeal experience. She is Executive of Culture Push, an organization linking artistic practice and civic engagement, and one of the co-founders and core team members of Works on Water. Mac Low’s recent work includes: “Sunk Shore,” a speculative tour of the future; “Incredible Witness,” game-based investigation of the sensory origins of empathy; “Free the Orphans,” spiritual and intellectual implications of intellectual property in a digital age; and "Cyborg Nation," public conversation on the technological body and intimacy. Residencies include MacDowell, Yaddo, and Mount Tremper Arts. Grants/Honors: BAX Award, Foundation for Contemporary Arts grant and Franklin Furnace grant. She has received BA Dance and Molecular Biology (Wesleyan University) and and MFA in Digital Interdisciplinary Arts Practice (CCNY-CUNY).
